Femi Euba (born April 1939) is a Nigerian actor, writer, and dramatist, who has published numerous works of drama, theory, and fiction. His work as a theatre practitioner encompasses acting, playwriting, and directing. Among the topics of his plays is Yoruba people culture.
Euba left London in 1970 to study Playwriting and Dramatic Literature at the Yale School of Drama, where his received an MFA in 1973. In 1980–82, he went back to Yale to study, receiving an MA in Afro-American Studies. He then returned to Nigeria, where he worked for some years, and earned a PhD in Literature-in-English at the University of Ife, Nigeria (now Obafemi Awolowo University), in 1986.
Over the years, Euba has taught at different colleges and universities, in Nigeria and the US, including the College of William & Mary in Virginia. Currently the Louise and Kenneth Kinney Professor at Louisiana State University, he has continued to teach playwriting, and dramatic literature, mostly concentrating on the drama and theatre of Africa and of the African diaspora. He is also a consultant in Black Theatre.
Among his many credits as a director are Soyinka's Death and the King's Horseman (2008) and The Trials of Brother Jero (1988); Edouard Glissant's Monsieur Toussaint (1990); August Wilson's Joe Turner's Come and Gone (1994); Shakespeare's The Tempest (2005); Molière's The Learned Ladies (1991); Euripides' Alcestis (2001); Athol Fugard's Sizwe Bansi is Dead (1992–93), Richard Brinsley Sheridan's The Rivals (1996), The African Company Presents Richard III (1998), Henrik Ibsen's Hedda Gabler (1999), Maryse Condé's Tropical Breeze Hotel (2003), Eduardo Machado's Broken Eggs (2009), Stephen Adly Guirgis's Our Lady of 121st Street (2011), Tarell Alvin McCraney's The Brothers Size (2012), and Bruce Norris's Clybourne Park (2013). "About the director — Femi Euba", Dionysus of the Holocaust.
Euba's archive is held with the performing arts collections at the Harry Ransom Center in Austin, Texas. His papers include scripts, recordings, lecture notes, correspondence, photographs, and other ephemera.
|
|